In Santa Fe, Argentina, a group of artists creates an experimental dance-theater piece entitled Of soft skin.
Ana, a playwright and director, leads this project inspired by Luci, her first love, who disappeared during the military dictatorship. The play explores the complexities of identity and memory, and reflects on the stories of dissident women.
Meanwhile, the artistic community and local residents are organizing to confront the threat of eviction from the social and cultural center where they work, driven by real estate interests. They are mobilizing through assemblies, protests, and cultural activities.
The characters' inner worlds—passions, fears, desires, memories—participate in a broader world of community action: the workshops at the cultural center and the struggle to keep them alive, and the preparation for the carnival.
As rehearsals for the play progress, conflicts escalate, with solidarity becoming a daily practice. Instead of giving up, they grow stronger, finding new forms of resistance.
The story ends with the community enjoying the carnival. A colorful crowd fills the street to the rhythm of the drums. The performers from the play dance and sing in the parade, an act of cultural affirmation. The day concludes with the burning of Momo, surrounded by a circle of people celebrating community life and creativity, demonstrating unity and hope.
A production of:
Ein collaboration with
A film by Alberto Gieco
List
Eva Bianco
Gastón Onetto
Negra Correa
Ariel Echarren
Lucas Ruscitti
Malén Videla González
Chiara Guardone
Nieves Araujo
Melisa Malatesta
Ana Municoy
Mona Álvarez
Inti Righelato
Amiel Rodríguez
Irupé Jenkins
Ulises Bechis
Cielo Eberhardt
Antonio Rocha
Lanna Rivera
Liberty Pink
Federico Tobbe
Lautaro Giménez
Jorge da Silva
Elías Alberto
Maximiliano Jenkins
Juan Venturini
Camilo Céspedes
Pilar Rousselot
Manuel Venturini
Gael Guardone
Grupo de Teatro Comunitario Detripacorazón
Compañía Cabezabajo
Team
Jefatura de Producción
Georgina Bocchio
Dirección de fotografía
Maximiliano Wendler
Dirección de Arte
Jaquelina Molina
Dirección de Sonido
Mercedes Tennina. (ASA)
Ariel Gaspoz
Vestuario y Maquillaje
Betania Cappato
Cámara
Maximiliano Wendler
Música Original
Ariel Echarren
Temas Musicales
Rambalín – Rodrigo Cuevas
La rata Lali – León Gieco
Montaje
MaximilianoWendler
Iván Fund
Alberto Gieco
Asistente de dirección
Carolina Tacca
Coreografía
Gastón Onetto
Alberto Gieco
Primer Asistente de Cámara
Lautaro Martínez
Cámara Adicional
Baltasar Albrecht
Milita Casablanca
Ambientación
Victoria Sáez
Asistente de Arte y Producción
Natalia Scolnik
Vestuario Adicional
Evelin Medina
Gaffer
Jéssica Medina
Operador de Gimball
Lautaro Martínez
Ayudante de Cámara
Lara Chía
Ayudante de Dirección
Gastón Onetto
Foto Fija
Matías Médici
Color Grading
Maximiliano Wendler (ACC)
Sonido Directo
Ariel Gaspoz
Diseño de Títulos
Lucio Azcurrain
Guion
Gastón Onetto
Alberto Gieco
Productores asociados
Ariel Echarren, Maximiliano Wendler (ACC)
Producción
Alberto Gieco
Agustín Falco
Georgina Bocchio
Dirección
Alberto Gieco
It's an ensemble film in which a group of actors, despite the difficult socio-political climate they are living through, rehearse an experimental dance-theater piece about state violence in a community cultural and social center. Several queer characters are integrated into this collective.
They share the daily hardships and joys, they endure and enjoy life in community.
We fight for the defense of popular culture and for the right to express diverse, inclusive, anti-racist voices.
The stories are told through dance, theater, song, music, and oral storytelling. The actors' lives are interwoven with the fiction they portray, as is the fictional world with documented events. Almost imperceptibly, nature makes its presence felt.
En Of soft skin The sensitivity of the skin beats in harmony with the inner emotions of the soul. The story emphasizes tenderness and the hope of living in a better world where love, respect, and solidarity prevail.
The identities of the LGBTIQ+ community continue to be violated, persecuted, and silenced today, which is why we join the cry of ANYMORE.
